This was followed, over the next years, by further rabab Pesisir Selatan cassettes from Tanama Records. As the regional recording industries in Indonesia have a signiicant impact on ethnic cultures, the study of Indonesian oral literature should, in my opinion, expand by analysing the inluence the modern electronic media on them. Barendregt, Bart and Wim van Zanten. The texts of rabab Pariaman, rabab Pesisir Selatan, sijobang, randai, and pidato adat dan pasambahan are in lyrical prose, but of course rhyming pantun are also used, usually to introduce the story, to mark turning-points in the plot, and to end the singing13 Navis Focusing on this occurrence in the Minangkabau cultural context in West Sumatra, this paper has shown how the mediation of Minangkabau oral literature has been stimulated by the development of West Sumatran regional recording industry. Power plays; Wayang golek puppet theatre in West Java. It is called saluang klasik classic saluang. 
| Uploader: | Daizshura |
| Date Added: | 19 September 2018 |
| File Size: | 13.98 Mb |
| Operating Systems: | Windows NT/2000/XP/2003/2003/7/8/10 MacOS 10/X |
| Downloads: | 58244 |
| Price: | Free* [*Free Regsitration Required] |
In the following paragraphs I will describe briely the commercial cassettes and VCDs of Minangkabau oral literature genres made by West Sumatran recording companies.
Cerita Minang Tanbaro Songs Free Mp3 Download Mp4 Video
The content and any errors in this paper are my own responsibility. As it is usually performed at night, the saluang performance is also known as malam bagurau evening of jollity. The cassette covers of Minangkabau speech making narrated by Yus Dt. As every performance is in some respects a new creation for the singer, every oral literature performance results in new text. Both companies were established in the early s.
Through commercial cassettes and VCDs, the auditory and visual dimensions of Minangkabau oral literature could now be enjoyed further away from their point of origin. The chanter was Noeriahsjam from Suliki, Payakumbuh. Modern Noise, Fluid genres; Popular music in Indonesia, On the other hand, the texts of dendang Pauah, indang, saluang and salawat dulang are composed in verse forms - the former three in pantun form and the latter in syair form.
Due to this competition among recording companies, many traditional performers of Minangkabau oral literature genres have had the opportunity to be released on commercial cassettes and VCDs. They are mostly produced by Tanama Records.
This means that there are some particular characteristics in the texts of oral literature genres performed for commercial recordings. Amir, Adriyetti; Zuriati, and Khairil Anwar. In this paper I will recount the historical mediation of Minangkabau traditional verbal art genres and the continuing process of this mediation in the current electronic communication era.
Tanama Records21 and Sinar Padang Records Minangkabau minsng literature genres There are many genres of Minangkabau oral literature or verbal art, which in regional and national terminology is called kesenian tradisi traditional art.
Strongly orally in its character, the Modern Minangkabau drama is a combination of music and sung and spoken dialogue. His research interests are oral tradition, literary life, and cariot culture in Indonesia. I learnt from Pian 45 yearsone of the senior performers of Koto Buruak troupe I interviewed personal communicationthat Sinar Padang Records will continue to produce subsequent volumes of this series, all in VCD format.
SURYADI, The impact of the West Sumatran regional recording industry 61 story Sakarang kini kito mulai Now we are beginning it Disambuang [di] kaset nan kalapan35 It is continued on cassette number eight In the couplet quoted above Amir Hosen announces that he continues the singing on cassette number eight.
Bakaruak Arang A
For more on the inluence of printing toward Minangkabau kaba, see Junusb. Such cultural representations through electronic media have also involved Minangkabau traditional verbal art, bqlerong has been stimulated by the West Sumatran recording industry.
However, we mnang assume that the text of this kaba performed in the recording studio is not necessary the same as its counterparts presented in public performances. Matriarkat, Reformisme Islam, dan Minzng di Minangkabau. When asked about the lack of parallelism in his stories, Syamsudin said that he purposely left out repetitions and unnecessary phrases and tried to speed up his stories because the recording company wanted him to use fewer cassettes per story.
Thanks to the electronically-mediated Minangkabau oral literature genres available on commercial cassettes and VCDs, Minangkabau emigrants and those who live in West Sumatra are now able to appreciate their own traditional verbal art privately.
They are popular phenomena in which Minangkabau ethnicity is evoked and questions on Minang-ness, authenticity and globalization are contemplated. Though the producers and West Sumatran recording industry practitioners whom I interviewed would not divulge exactly how many copies of each recording have been made, two of them, Agusli Taher 59 yearsthe owner of Pitunang Records and the former executive board of Asosiasi Industri Rekaman Indonesia abbreviated ASIRINDO, Indonesian Recording Industry Association West Sumatra branch, and Indra Nurdin 41 yearsthe warehouse manager kepala gudang of Tanama Records, told me that each recording of Minangkabau oral genres or pop Minang albums was produced in an edition of copies of cassettes or VCDs respectively.
Though the genre exists in many parts of West Sumatra, its textual composition differs between the Minangkabau highlands darek and the western coastal lowlands rantau, literally "place of migration".
The competition to make commercial recordings of Minangkabau oral literature genres in cassette and VCD format has provided Minangkabau people, especially the perantau, 38 In the context of pop music, Mark Slobin has mentioned On the contrary, cassettes never urge Miliki juga VCDnya!
Own its VCD too! Suryadi - The impact of the West Sumatran regional recording industry on Minangkabau oral literature. Taal en Letterkunde, pp.
No comments:
Post a Comment